My first read of 2023 ended up being surprising and spontaneous – a dwarf-focused story, which was also a new venture for me.Continue reading
In my 2022 summary and 2023 plans, I’ve mentioned the change to living on my own. So, this will be a look into the life of a single 30-ish man living on his own. In… maybe a bit too honest way. You’ve been warned.Continue reading
Today, I’ll look at another storytelling element: Villain’s echo chamber. A scenario where a seemingly pragmatic choice to be surrounded by like-minded people may turn out into a major blind spot. More so if the villain’s personality further bolsters the blind spot.Continue reading
With the first week of 2023 gone, I am making a bit belated post about my goals and wishes for 2023. I tend to be a poor judge of my capabilities, so this will be quite a loose set of goals I’ll try to keep realistic but not exactly easy.Continue reading
With another year gone, I take a while to reflect on my life in the past year. It’s been a year of change, a year with its ups and downs.Continue reading
In today’s post, I’ll look at another quite specific element in storytelling: characters or factions that are on the same level (at least prestige-wise) as royalty despite having no land or crown.
To clear things up, this isn’t about actual royalty that has, for one reason or another, lost their land or their claim on it (as that would be a separate topic and a different story element). This is specifically about characters that have no ties to royalty in the traditional sense and, likewise, no claims to land to call their own. Their position is often assured by different means – often some very specific power that requires equal footing and often neutrality towards existing royalty for this character or faction to be able to fulfill its purpose.
For that very reason, this approach is often used in Dragonrider fantasy. In many cases, dragon riders are recruited from across the land and their goal – to vanquish greater evil, wherever it comes from – requires them to put their former allegiances behind them. It also creates a point of potential conflict or a source of potential corruption if someone who is supposed to consider the greater good sides with a particular faction to further goals that don’t exactly align with their calling. Those wayward characters then often became antagonists (of varying magnitude, though typically in the upper parts of the food chain, their exact position depending on the execution of an individual story).
There are several scenarios that use this element in one way or another, and they can be used for both protagonists and antagonists. Some that come to my mind right now are:
Reluctant hero. This is an element often used for the main character in a coming-of-age story (and often in dragon rider books). Not only they need to get their bearings and master their newfound powers (often with very limited time) which is already taxing, but sooner or later, someone will notice the “fresh blood” and may try to sway the young hero to their side. This may have several possible backgrounds – the character requesting a young hero’s help may be a good king truly in need of help, a greedy monarch wanting to further his goals, and anything in between.
The point here often is to teach the hero that they need to consider the situation carefully and make sure they aren’t misused for the wrong reason. Even making up for the shortcomings of a struggling monarch – despite seemingly good intentions – may have negative results if it means the hero ignores the larger trouble because of his eagerness to help someone who may not need it as much. The damage caused by a wrong decision can be a source of regrets, which can be used as a character development tool.
Self-righteous villain. Another scenario often found in dragon fantasy, often for the main character, especially if it involves an extremely long lifespan. Such a villain may, over time, develop the feeling that they know better than anyone how the world should work (often under very strict control of the antagonist) and that anyone saying otherwise is fool who has no clue about the world and what it needs. In case this character prefers to scheme without being seen, corrupting a rightful ruler of an existing country can be a tool for them seizing control without making it obvious who the real mastermind is.
Balance of power. No matter what form it takes, their neutrality is often to prevent the world from going down a steep downhill spiral from misuse of rare power. In case of dragon fantasy, that’s often the terrific physical power of a dragon, often coupled with magical abilities. But it may simply be a person able to use magic in a world where this is a rare gift. When one person can become as powerful as an army, it doesn’t take much to disrupt the balance and plunge the world into chaos. Maintaining order in a world by the use of a rare power is a task that requires great responsibility and carefully set-up rules. For that reason, being on par with royalty (but not above them) is often the only way to prevent those with rare powers from taking over (or at least, not without resistance) but also to prevent the rulers of any country from taking control of those people for their own gain. However, this fragile balance can be difficult to maintain in times of peril, which can be used as another plot thread.
So, that’s it from me on this topic – but I’ll welcome your thoughts as well. Share your experiences – books that use this topic well or poorly or your own experience writing a story with this theme.
November tends to be a weird month for hiking. Most years, I get soaked by rain at least one time. This year, November surprised me with quite some variance in weather.Continue reading
November is always a weird transition between the colorful autumn and the bleak days of cold but snowless early winter. And a time that affected my hobbies, though this year, some things were a bit different.Continue reading
In today’s post, I’ll explore the topic of ending a book in a series considering the lead into the next book.Continue reading
After almost a year of waiting, the sixth and final book in R. K. Lander’s The Silvan series is out. Quite a thick tome that wraps up the story while still leaving some questions unanswered. Is that good or bad? Well, that’s quite the question.Read more: Book review: Destiny of a Prince
The first four books were dealing with two major plots – a political plot caused by racial divide and the attacks of enemies from outside – the Sand Lords and Deviants, eventually revealed to be led by super-powerful half-elves, the Nim’uán. After the fourth book, the main part of the political plot was finished, but there are still lingering after-effects (partially dealt with in book five), including several captives in the dungeons of the capital city.
The second half of the fifth book has seen the elven army, led by Fel’annár, fight an invasion from the desert. Facing overwhelming odds, the tired and dwindling army is to return to the capital – which faces invasion from another side, led by the last and most-powerful Nim’uán, Gradón.
With the capital down to a skeleton crew of defenders, returning army just out of reach to arrive in time, and reinforcements from allies even further behind, the capital prepares for a siege. Just the same, a lot of space is given to the other side of the conflict, allowing us to see Gradón’s part of the story – his devastating landing and his plans for attacking the capital. The fact that a lot of space is given to both sides of the conflict is what stretches the book to quite an insane length – over 900 pages.
Just the same, there’s a lot of space given to the royal family – those who remain in the capital. The budding alliances and friendships (or more) started by some characters amidst of danger and how the individual members put their talents to use when preparing for the inevitable. In these times, the scheming of Draugolé (the most-dangerous captive) seems quite an orphaned plot line, though the remaining traitors do have a couple of scenes. These final loose ends in the form of three characters will be finished, though their end is a bit different than I expected (I won’t spoil this).
With some luck, part of Fel’annár’s army manages to reach the capital just before the attack – by which point, the book is still around 50% in. The idea of one battle taking around 450 pages did seem overwhelming, but it’s well executed – each stage has its place and purpose, and forces both sides to adjust. Small details and how some characters react to them are what made this feel like a truly living world.
The final sequence provides no shortage of emotional scenes – striving for redemption, desire to prove yourself, and heroic sacrifices. The final sequence after the battle ends, however, gives a hint that the author wants to go further into her world-building in the future, hinting that the elven reincarnation cycle and the domains of individual gods may be something to explore. That said, this book closes the series quite well, though the very last sequence did spark some further questions rather than provide answers.
In the end, this whole series was quite a ride – 6 books of some 5000 pages total. As with the first five, the main issue is with the not-so-strict PoV in this series which goes against the prevalent writing style I’ve encountered and which makes things a bit unclear at times. Despite that, it’s a story that I’ve enjoyed reading quite a lot and will have many fond memories of.